











Martin D-28 1946, Natural
$75,000.00
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Specs
| Instrument | Dreadnought |
| Brand | Martin |
| Model | D-28 |
| Finish | Natural |
| SKU | GF11170-A |
| Handedness | Right |
| Made In Year | 1946 |
| Top | Sitka Spruce |
| Back and Sides | Brazilian Rosewood |
| Neck/Fingerboard | Mahogany/ Ebony |
| Bridge Material | Ebony Replacement |
| Tuners | Kluson Style replacements |
| Neck Profile | Full C |
| Neck Depth | .917" - 1.105" |
| Scale Length | 25.4" |
| Radius | 16" |
| Nut Width | 1.70" |
| String Spacing at Saddle | 2.13" |
| Contains Brazilian Rosewood (Y/N) | Y |
| Electronics | None |
| Case | TKL Case |
| Modifications/Repairs | Post-1960s Replacement Ebony fretboard with snowflake inlays, back of neck refinished, replacement tuners, neck reset, replacement bridge, saddle and pins, neck reset (currently with lower saddle), multiple lower back cracks, bone nut, 4 reglued top cracks with 12 low profile cleats, center seam crack with thin spline, heavy play wear, old (potentially original and re-glued) bridge plate with hole reinforcement, two half-inch sections of binding re-glued |
Description
One could say that this 1946 Martin D-28 was in the right place at the
right time. But, its long-time owner created those moments and put it in
the right hands; namely, Doc Watson. Ralph Rinzler purchased this
guitar in 1959 at the beginning of his folk song collection journeys and
spot as the mandolinist for the Greenbriar Boys. Ralph is credited as
the one who discovered Doc Watson and worked as his manager for the
first 5 or so years in the early 60s. In the passing of ownership in
1992, Ralph wrote a letter, (copy to be included), stating that "this
very guitar was used by Doc Watson in the earliest recording sessions
that Ralph conducted, before Doc replaced his Les Paul model with an
acoustic. The guitar can be heard occasionally on the Folkway albums,
particularly when he sang with Rosalee and two guitars were needed. The
guitar was also used on his his second Vanguard records L.P.", we
believe he is referring to the 1965 record "Doc Watson and Son." A
recently surfaced photograph of Doc Watson in 1964/65 shows a '46 D-28
that appears to match with this guitar; featuring a similar light spot
in the pickguard and a significant horizontal scratch above the
soundhole that the provenance letter states was the result of allowing
Bill Monroe's guitar player use it in 1963. A crack behind the bridge
also seems to match up with the guitar in the photograph. The guitar was
heavily played in years after, receiving a replacement ebony fretboard
with snowflake inlays. Ralph is remembered most for his long career as
the Folkways archivist at the Smithsonian Institute. In his obituary he
recounts fondly of his time with the Greenbriar Boys. They were featured
on two songs on Joan Baez's Vol. 2 record and Ralph can be heard
playing this guitar on "Pal of Mine." A very young Bob Dylan opened for
the Greenbriar Boys at Gerde's Folk City. Ralph Rinzler brought Doc
Watson to the public eye and spent his career preserving the history of
folk music, it is an honor to give this guitar the same treatment.
This
1946 D-28 presents in worn, yet honest condition. Provenance aside,
1946 D-28s are extremely desirable for their construction and aesthetic
qualities. The herringbone bound dark sitka spruce top is taper braced
with an old, potentially original/re-glued, bridge plate. The current
fretboard has snowflake inlays and appears to have been installed at
some point later in its Ralph Rinzler ownership. The full/chunky neck
plays well, and does not attract a magnet; so we can assume it has an
ebony rod. The guitar is loud and dry sounding; you could say it's a
match made in heaven for bluegrass aficionados.
Comes in modern TKL Hardshell Case
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