













Martin 000-45 1935, Natural
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Specs
| Instrument | OM and Auditorium |
| Brand | Martin |
| Model | 000-45 |
| Finish | Natural |
| SKU | GF8838-A |
| Handedness | Right |
| Made In Year | 1935 |
| Top | Adirondack Spruce |
| Back and Sides | Brazilian Rosewood |
| Neck/Fingerboard | Mahogany/ Ebony |
| Bridge Material | Ebony (new installed by Carl Meine of Dave’s Guitars) |
| Tuners | Original Nickel Grover Tuners |
| Neck Profile | Soft V |
| Neck Depth | .829"- 1.060" |
| Scale Length | 24.9" |
| Radius | 16" |
| Nut Width | 1.749" |
| String Spacing at Saddle | 2.256" |
| Contains Brazilian Rosewood (Y/N) | Y |
| Electronics | None |
| Case | Calton Case |
| Modifications/Repairs | Neck reset, replacement bridge, replacement nut and saddle, pickguard reglue, ~12" rim crack reglued, maple popsicle brace added, strap button, original bridge plate (holes are sawdust/glue reinforced to prevent tear out) |
| 1 9/16” | 1.563” |
| 1 5/8” | 1.625” |
| 1 11/16” | 1.688” |
| 1 3/4” | 1.750” |
| 1 7/8” | 1.875” |
Description
Only 123 14-fret 000-45s were made by the Martin factory in Nazareth, PA. This example from the 2nd year production of this model variation, 1935, is a survivor in the truest form. The craftsmanship on these "45" flagship models is unrivaled by any other guitar in flattop history; owning one represents a true devotion to the art of guitar making.
This example features a tight-grained Adirondack Spruce top, straight-grained Brazilian Rosewood back and sides, and a Mahogany neck with an ebony fingerboard. Simply, these materials were hand chosen for the finest models and materials of this grade have not been available for many years. The extensive abalone inlay surrounding all joints are a work of art with extremely tight tolerances.
A clean neck reset was preformed, that has found a fine balance in action (5/64 Bass and 4/64 treble) with the bridge/saddle height. The bridge is an ebony replica bridge designed and installed by Carl Meine of Dave's Guitars, and the nut and saddle are finely made replicas. A thin popsicle brace, with a factory appearance, was added under the fingerboard. In addition, a roughly 12" rim crack was minimally glued up on the lower treble bout; it's structurally solid, but it would benefit aesthetically from some luthier touch-up. Apart from this thin repair line, all of the finish is original, passes the blacklight test, and was lovingly played over many years.
As for sound, one can't ask for much more than it provides. A strong bass response can be provided from finger style playing alone. It is open and resonant, thanks to its forward shifted scalloped bracing and original Maple bridge plate. Both surprisingly, and unsurprisingly with the serendipity of such a treasure, the original bridge pins are still a full set and in full function.
Comes in a Calton case. The original hardshell case is available as well.
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