The Faux Tape Echo delay has become a staple in Nashville and beyond, from masterful session guitarists to studio “house sound” collections and of course seen on stages worldwide! Based around very carefully selected and very rigorously tested PT2399 delay chips, the Faux AnalogEcho and Faux Tape Echo circuits allowed Brian to combine the note clarity of a sophisticated digital delay with an all-analog dry path (unaffected signal) and magnificent all-analog tone-shaping and modulation circuitry.
With our hybrid design approach, you get the best of both worlds. You get note clarity, lower noise, and longer delay times from digital delays. You get the lovely warmth and little, exquisite touches that are usually reserved for analog delays. Nearly every part of the pedal, all of its major functions, are analog. The “delay line” is the only digital part of the signal path. It alone being digital brings clarity and focus to the task in a way that analog delay line chips can’t really match.
But everything else, all the absolutely vital filtering to carefully finish the sound is pure analog. Every aspect of the modulation that gives the Faux Tape Echo pedal a unique function and tone and makes it desirable for people who want their delay tone to sound as good as tape delay units but without all the maintenance, supplies, and hassle? Totally analog. Your all-important fundamental dry tone is 100% analog, too.
So when we say it’s the best of both worlds, we absolutely mean it. From country slap-back to ambient washes to straight-ahead rock and metal delay, the hybrid approach lets Brian make one pedal that can do it all.
The Faux Tape Echo takes everything great about the original, and adds to it that much-requested tap tempo functionality that users have been asking for, as well as Brian’s new idea in emulating the elusive and beautiful character that people look for in classic tape echo units. The time has come to unveil the Faux Tape Echo that everyone has been waiting for – and we’ve all worked hard to make sure you’re going to love it!
All products have a 48 hour approval period. You must notify us immediately after the 48 hour has expired and the item must be returned to Carter Vintage Guitars within 7 days after notifying the store. Carter Vintage Guitars is not responsible for any return shipping costs. Items returned outside of the approval period window will be subject to a restocking fee (up to 15%). Items must be returned in the same condition as they left the store. New items must be returned with any and all factory packaging that was included with the product.
Refunds will be applied via the same method of payment used at the time of purchase. Returns can take 5 to 10 business to show back up onto your bank statement.
Please contact us with any and all questions before making a purchase. We do not want you to have to return anything and are happy to provide as many details as possible for any and all products we carry in our store.
Carter Vintage Guitars can ship almost anywhere! Most orders in the Continental United States ship via USPS or UPS. Instruments ship via UPS or FedEx. Our expert shippings have years of experience packing and shipping guitars all over the world you can rest assured that your package will arrive quickly with the contents in perfect condition. Customers must pay the full shipping amount, we always try to give customers the best shipping rate possible but packages ship via dimensional weight.
All instruments ship fully insured for the full purchase amount.